4 December 2010

Making of Phamish - Part I

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While we are approaching end of 2010 a.k.a. 2 years birthday for Facet Studio, I will be putting up some construction photos of older projects.

Found some old photos on Phamish construction....it feels like a long time ago!  Lets have a look of the process the panels went through...

The client approached us with an existing restaurant, requesting for "feature" incorporating "chrysanthemum" and "gold".  "Red" is the image colour of the restaurant with 10 years continual popularity, one hidden task for us is to inject a new image without sense of abruptness, and without interrupting operation of the restaurant operation.  Together with public holiday, restaurant weekly day off, and weekend, we had 3 days on site for construction.

original site condition

original site condition

The design process started about 8 months before the actual construction, to plan everything out.

As we have had extremely limited space to work with, we started by thinking that if the “new image” we were creating not only serves as graphic design, it would be fantastic if it could also contribute in creating a sense of expansion in space.

From here we focused on the “partition” as a system which softly defines the spaces and is widely utilised in Asia, then decided to randomly locate five “partitions” which features both “chrysanthemum” and “gold”.  As a result a space was formed between “partition” and the existing walls, which is where people can feel the sense of depth.  Furthermore, by dividing the chrysanthemums into five panels, the void between the sliced-open chrysanthemums gives room for more imaginary chrysanthemum to form in the human brain.

original perspective presented to client for design sign off.  We proposed partition system with laser cut chrysanthemum artwork to juxtaposition the solid and void for a rich lighting effect, and to stimulate people's imagination
We were inspired by Chinese traditional paper cutout for the chrysanthemum patterns. After going through several options of patterns, studied on perspectives, and settled on one design.  We then transformed the design to a suitable format in preparation for laser cutting.  Original artwork (c) Facet Studio

panels are being prepared for applying brass florentine after laser cut.

the brass was applied to the laser cut panels, then aged with patina and polished back

panels were delivered on site

first panel was up very soon. this panel has little issue with rear access so was relatively straightforward

while the first panel was being installed, we started installing new spot lights on the other side of the shop

electrician working to minimise the amount of cords visible. This is the difficulty with retrofitting or working within existing context.... we had to go under existing timber floor, and trim part of the light fitting to bring cables through.

new spot lights installed, equally distributed along the bottom of the wall.

now we can start installing panels on the other side.....but the distance between the ceiling and the floor is much smaller ....the panel is too long for the space..

unfortunately the panels had to be trimmed on site.

...now it fits!

one by one, panels were installed with some minor adjustments

all installed!

end of the day, client came for a visit. We all sat in the restaurant after 2 long days.... this was after a long 8 months of design, tender, studies, finally we sat in the space we have been imagining....(sigh with satisfaction)

Tomorrow I will talk about the lightbox ...another battle in Phamish!

3 December 2010

Yodoko Guest House by Frank Lloyd Wright

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Today I thought to share some photos I have on Yodoko Guest House by Frank Lloyd Wright when I last visited.

Frank Lloyd Wright was commissioned by Tazaemon Yamamura, a sake brewer (whose son-in-law was a classmate of Arata Endo, one of Wright's apprentices who also worked on the Imperial Hotel in Tokyo) to build this holiday house.  It is located in Ashiya, a beautiful high end suburb in Hyogo (near Osaka), Japan, and is the only surviving house Wright has designed in Japan.  It is now property of Yodogawa Steel Works, hence the name change from Yamamura House to Yodoko Guest House.

The house has suffered 1995's Great Hanshin Earthquake but was repaired and reopened to public.

the hill approaching the Yodoko Guest House is nicknamed "Wright Zaka" ("Wright Hill")

catching a glimpse of the building from street

the house is very discreet from the street, forms a beautiful composition with the trees

approaching the house

composition above entry porch





light at the entry pillar, the house is generally on the dark side, or maybe because it was raining the day I visited

internal wall composition - Wright's windows are so unique in proportion and material

sitting room - one of the 2 main rooms in the house

detail to the wall / ceiling junction.





ceiling of the banquet room on top - the second major room in the house

detail at the fireplace

relationship between natural and artificial light

detail at the ceiling corner


looking out to the rooftop terrace

looking back to the banquet room from the roof top terrace, series of small windows formed the decorative edge along the top of awning.. and what an unusual shape!"

detail at the facade

The site is quite steep, Wright stepped the house according to the site slope into 4 sections (from memory).  There were some interesting compression and expansion of spaces while you walk through the house as the result.

official site to Yodoko Guest House... HERE (the "Secretes of Guest house" section accessible from tab on the left hand side has some in-depth architectural background informations)

30 November 2010

On the other hand.....

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When we are still contemplating about the roof rafter and bolt connections (read more HERE), lets take a look of what is going on on-site.....Holy...!!!

Don't worry, of course we are still on top of the site progress!


testing the "slump" of the concrete mix. take 3 random buckets of concrete samples out of 3 random concrete mixing trucks, to test the water content of the concrete to ensure its strength




Voila! now, this slab is structural, unlike the sutekon!

29 November 2010

Finally...we have reached the 1:1 mock-up

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With everything happening so rapidly on site, M House is requiring more attention to detail.

We have requested for a 1:1 mock-up of the roof ridge structure to be built on site, so we can study the bolt connection next week quite readily...unfortunately we had to do some paper mock-ups here in Sydney.....




ridge mock-up in plywood







this is where the roof structure rests over the concrete walls, the only place roof touches its supporting structure. There is no column in the 20m long house.

this is our version of the ridge....not quite the same is it...

we started making 1:5 component models, this is the same area as the mock-up where the roof structure rests over the wall

another component model to study the skylight relationship with the roof structure